Editing Shakespeare
In 1979 Oxford University Press appointed me as the founding head of a Shakespeare department. The Oxford Shakespeare, first published in 1891, had been rendered seriously out of date by advances in scholarship. Other editions of the Complete Works, especially that prepared by Peter Alexander and published by Collins in 1951, were cornering the market. The main aim of the new department was to be the preparation of a new Oxford Complete Works , and I started by embarking on a series of editorial guidelines. Before long, however, we realized that there was a gap in the market for a one-play-per-volume edition based on the latest scholarship which would offer a comprehensive overview of current scholarship and criticism with helpfully detailed annotation.A major part of my work in drawing up a series of editorial principles for the one-volume edition of the Complete Works was a detailed study of the principles and practice of modernizing Shakespeare’s spelling and other features of the presentation of his texts. Surprisingly, no one had ever done this. Editors since the late eighteenth century had proceeded by marking up a previous edition, with the result that many features of the text that did not affect meaning had remained unchanged. During the 1950s, particularly, there had been a tendency to a reactionary conservatism, resulting in the preservation in some editions of forms such as ‘murther’, ‘burthen’, and ‘mo’. I was particularly impelled to action by my irritation with the practice in one edition, published in 1974, of incorporating what its editor called ‘a selection of Elizabethan spelling forms that reflect, or may reflect, a distinctive contemporary pronunciation’. I remember saying, somewhat pompously, when I first saw this edition, that it represented ‘a retrograde step in Shakespeare editing’.
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And many of the volumes have benefited from the scrupulous copy-editing of Christine Buckley. Over the years the presentation of the volumes has varied. All have been published in hardback with the purple jackets that have become a hallmark of the
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Alexander, The Ends of the Earth
Returning to Asia in the wake of his Egyptian conquests, Alexander encounters Etocles, the Persian son of Alexander's lover who is determined to liberate his ...Christine
CHRISTINE. CHAPTER I. I AKE MALAR, whose long arms, project- -^— ' ing in all directions, connect the interior of Sweden with the Baltic Sea, ...Alexander, destiny and myth
The book's final two parts concern Alexander's legacy, both immediate -- the fate of his empire and the limits of his accomplishments, particularly his attempt ...Day-to-day Articles Directory
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